Tuesday, February 10, 2015

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I come from Mexico, full of positive energy and I come in the chaos precipitated Italian ... I'm a fan of contemporary art and for many years I go to see the Venice Biennale last week before it closes, as usual I request one piece tube press accreditation for permission to photograph and to continue my personal documentation on the biennial.
Please note that my last experience with art exhibitions of this kind has been with Documenta in Kassel where within five minutes introducing me personally I have been accredited one piece tube to photograph (after one piece tube checking my credentials), the exemption the entrance fee, documentation and print coupons to buy the catalogs with a subsidized price.
I realize now that I did not give the requirements necessary for organizing the lagoon, then send an email explaining who are putting the link to my photo agency, what I do, I do not see why an institution like the Biennale must give up a visibility through my social media that have spread to a provincial newspaper. Mail that remains unanswered. Phone for the first time, where I'm treated rather rudely, it says that you can not control anything that they have nothing else to do and the person I talk refuses to tell me his full name and says only named Andrea. If I scoraggiassi easily I could not do the photos that I do so armed with patience one piece tube I make a second one piece tube phone call in which Francesca Valente me reiterates that an institution like the Biennale is not only interested in the fact that I face the photos but rather just want to avoid that photographers like myself do documentation (I think of the picture of Ugo Mulas and I imagine if they had not been photographed) on which they can not have control, and that one of two things or recover a request by an artist who exhibits or part of a header which then makes an article. I try to be patience and think about which of the two things, who do I ask a pleasure to be able to try to photograph Marcello Maloberti (Italian artist active in Venice) or the preparation of The Blogazine I wrote and photographed ... In the end I choose the second with which I am committed to do an article on the closure of the Biennale with a small interview one piece tube with Marcello ...
Now I do not know yet if I will grant permission to photograph, the limit will photograph the same and I will submit to the just observations of overseers ... But know that in Italy there is something wrong, the bureaucracy, the forms, tethers slowdowns do is that it is difficult to think to do their job ... If it's hard for me to imagine a young ... I remain shocked and I can not think of a leader of the mafia pepenadores in Mexico that the phone seeing my photos told me: "I understand, I understand, for you it is important to document, you have to promise to treat the photos you do with respect, photographer as well, thank you for coming up here and phoned me. "
Italy is sinking, if you decide to follow the rules remain bogged down, you find yourself embroiled in front of an inertia difficult to win ... A country locked from small to big things ... A country where few have the courage and the will to take the responsibility and decide ... A country where much is left to the discretion of the individual ... I wonder how we can reverse course, how to make it begins to circulate a positive energy, no longer makes sense to complain, we must take action ... And 'now time to tell positive stories that we are in Italy, to give visibility to those who work with love to build a better future ... So who has photographed, documented events and positive facts can contact me in a vittore@vittorebuzzi.it Once a month I will choose one piece tube a job from among those received and prepare a small gallery with a presentation of the project and author.
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