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The Mittelsächsische Theater in Freiberg, which was founded in 1790 in Saxony as the first municipal theater, its audience has always opera rarities. Already debuted how to do a handstand in 1800 Carl Maria von Weber as an opera composer in Freiberg with his work "The forest girl". The opera "Charlotte Corday" by Italian composer Lorenzo Ferrero, which was premiered how to do a handstand in 1989 in Rome, sets the Mittelsächsische Theatre continues the series of opera rarities. The work was in Freiberg sung in German (translation: Willi Humburg and Anna Maria Linoli).
The dramatic events of the French Revolution inspired many composers to write operas, just think of "Andrea Chenier" by Umberto Giordano, in "Danton's how to do a handstand Death" by Gottfried von Einem or "The how to do a handstand discussions of the Carmelites" by Francis Poulenc. In the opera, "Charlotte Corday", whose libretto Giuseppe di Leva wrote, the young gentry sympathizes first with the revolution. She goes to Paris, where she experienced an atmosphere of fear and insecurity. There she meets her childhood how to do a handstand friend how to do a handstand Camille, who is pursued as a Member of the moderate Girondins. how to do a handstand Soon she finds confirmed their opinion that the political reality have long since removed from the original ideals and therefore plans to assassinate Jean Paul Marat, how to do a handstand one of the leaders of the Jacobins. With a list, it shall obtain access to his apartment and stabs him in the bathtub. It is that scene that became one of the most famous images of the revolutionary period through the painting by the French painter Jacques-Louis David.
The staging of Judica Semler make it in simple terms - with almost no props (equipment: Tilo Staudte) how to do a handstand - to reproduce the fear of embossed, hectic atmosphere in Paris during the revolutionary period and represent the "heroes of the French Revolution" even as tragic figures. What is equally how to do a handstand valid for Jean-Paul Marat as well as Charlotte Corday.
A native of Uzbekistan soprano Lilia Milek was an ideal cast for the title role. With its dramatic voice, which had even in the height a melodious fullness and never shrill sound, and her portrayal of Charlotte Corday as a determined woman to everything how to do a handstand she wowed the audience. Your opponent Marat was played by the great, the stage dominant bass-baritone Sergio Raonic Lukovic - without big gestures, more observant and doubtful as revolutionary and passionate. Oppressive the final scene in which Marat in his bath rash is caring, stabbed to death after a discussion about power and solitude of Charlotte Corday
Marat's bodyguard and confidant was represented by baritone Guido Kunze, who with his strong, bright timbre voice the Jacobins role as impressive played like the tenor Christoph how to do a handstand Schröter the role of Camille. A comedic excellent performance offered the chorus bass singer Stefan Burmester with his incredible body control when drunk. The good ensemble performance rounded yet in two small roles, the mezzo-soprano Zsuzsanna Kakuk as a street vendor and the soprano Susanne Engelhardt as housekeeper of Marat from.
Strong voice acted the Opera Chorus of the Middle Saxon theater, how to do a handstand very playful children's choir, the revolution in the street "nachspielte" (rehearsals of choirs: Tobias Horschke). The Philharmonic Orchestra how to do a handstand of Saxony succeeded under the "singer-friendly" line of Jan Michael Horstmann, the sensational score by Italian composer Lorenzo Ferrero, who was born in Turin in 1951, quite nuanced play. Even in the overture the guillotine guillotine was always subtly how to do a handstand audible.
The audience in the small but fine Mittelsächsische Theater Freiberg delighted all the contributors of the remarkable evening of opera with prolonged applause and beyond with bravos for the singer in the title role, as well as for the orchestra and its conductor.
Opera Archive Archive Archive ballet how to do a handstand concert archive spoken theater Archive Exhibitions Archive Film / TV Archive Travel / Cultural Archives reflections Wr. State Opera
The Mittelsächsische Theater in Freiberg, which was founded in 1790 in Saxony as the first municipal theater, its audience has always opera rarities. Already debuted how to do a handstand in 1800 Carl Maria von Weber as an opera composer in Freiberg with his work "The forest girl". The opera "Charlotte Corday" by Italian composer Lorenzo Ferrero, which was premiered how to do a handstand in 1989 in Rome, sets the Mittelsächsische Theatre continues the series of opera rarities. The work was in Freiberg sung in German (translation: Willi Humburg and Anna Maria Linoli).
The dramatic events of the French Revolution inspired many composers to write operas, just think of "Andrea Chenier" by Umberto Giordano, in "Danton's how to do a handstand Death" by Gottfried von Einem or "The how to do a handstand discussions of the Carmelites" by Francis Poulenc. In the opera, "Charlotte Corday", whose libretto Giuseppe di Leva wrote, the young gentry sympathizes first with the revolution. She goes to Paris, where she experienced an atmosphere of fear and insecurity. There she meets her childhood how to do a handstand friend how to do a handstand Camille, who is pursued as a Member of the moderate Girondins. how to do a handstand Soon she finds confirmed their opinion that the political reality have long since removed from the original ideals and therefore plans to assassinate Jean Paul Marat, how to do a handstand one of the leaders of the Jacobins. With a list, it shall obtain access to his apartment and stabs him in the bathtub. It is that scene that became one of the most famous images of the revolutionary period through the painting by the French painter Jacques-Louis David.
The staging of Judica Semler make it in simple terms - with almost no props (equipment: Tilo Staudte) how to do a handstand - to reproduce the fear of embossed, hectic atmosphere in Paris during the revolutionary period and represent the "heroes of the French Revolution" even as tragic figures. What is equally how to do a handstand valid for Jean-Paul Marat as well as Charlotte Corday.
A native of Uzbekistan soprano Lilia Milek was an ideal cast for the title role. With its dramatic voice, which had even in the height a melodious fullness and never shrill sound, and her portrayal of Charlotte Corday as a determined woman to everything how to do a handstand she wowed the audience. Your opponent Marat was played by the great, the stage dominant bass-baritone Sergio Raonic Lukovic - without big gestures, more observant and doubtful as revolutionary and passionate. Oppressive the final scene in which Marat in his bath rash is caring, stabbed to death after a discussion about power and solitude of Charlotte Corday
Marat's bodyguard and confidant was represented by baritone Guido Kunze, who with his strong, bright timbre voice the Jacobins role as impressive played like the tenor Christoph how to do a handstand Schröter the role of Camille. A comedic excellent performance offered the chorus bass singer Stefan Burmester with his incredible body control when drunk. The good ensemble performance rounded yet in two small roles, the mezzo-soprano Zsuzsanna Kakuk as a street vendor and the soprano Susanne Engelhardt as housekeeper of Marat from.
Strong voice acted the Opera Chorus of the Middle Saxon theater, how to do a handstand very playful children's choir, the revolution in the street "nachspielte" (rehearsals of choirs: Tobias Horschke). The Philharmonic Orchestra how to do a handstand of Saxony succeeded under the "singer-friendly" line of Jan Michael Horstmann, the sensational score by Italian composer Lorenzo Ferrero, who was born in Turin in 1951, quite nuanced play. Even in the overture the guillotine guillotine was always subtly how to do a handstand audible.
The audience in the small but fine Mittelsächsische Theater Freiberg delighted all the contributors of the remarkable evening of opera with prolonged applause and beyond with bravos for the singer in the title role, as well as for the orchestra and its conductor.
Opera Archive Archive Archive ballet how to do a handstand concert archive spoken theater Archive Exhibitions Archive Film / TV Archive Travel / Cultural Archives reflections Wr. State Opera
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